The Butchery is composed of the little moments that make and break a relationship: lively dancing, silent strolls hand in hand, stilted phone calls, tearful pillow talk. Rendered with delicate colored pencils and an elegant use of white space, this story achieves an emotional clarity through its skillful brevity. At turns tender, agonizing, and darkly humorous, The Butchery is painfully relatable to anyone who has loved and lost.

Joe Frank is one of the greatest radio dramatists who ever worked in the medium. His programs, which he wrote and voiced ran from 1978 to 2018, attracting a huge following, including Francis Coppola ("I couldn't believe the originality and sheer brilliance of what I was hearing.") and Charlie Kaufman ("His shows were hypnotic, psychotic, neurotic, sad, terrifying, and some of the funniest stuff I have ever heard anywhere.") Jason Novak has lovingly adapted six of Frank's most memorable stories into comics form, an introduction to those who have never heard Frank, and an aesthetic accompaniment to those who have.

A dating site match goes really wrong in this troubling, funny graphic memoir. Things seem to be looking up when Moa Romanova ― broke, depressed, and living in a squat above an old store ― matches with a very famous celebrity on a popular hook-up site. Not only does the 53-year-old man like Moa ― he also immediately validates and motivates her in a way that not even her therapist does, even offering to help financially support her artistic ambitions. However, Moa soon discovers that there are strings attached. Drawn in a style that's de Chirico by way of the '80s, Romanova's relatable graphic memoir is a thought-provoking debut.

In this graphic novel, readers follow various characters' paths in a fantastical world of endless tracks. One runner relies on her poncho to give her direction. Another deals with a suddenly missing appendage. There are also algebra dogs, a juice institute, and a helpful network that consists of miles of string that proves that, no matter how far apart, the friends you can rely on are the ones you met while traversing life's twisty-turny trails. Cartoonist Henry McCausland’s flowing page layouts showcase his elaborate landscapes and thrilling kinetic energy, matching them with a laugh-out-loud, idiosyncratic sense of humor.

This collects Jim Woodring's choice and previously unpublished images and gag cartoons, created between 2009 and 2019 for his private amusement. This book features Woodring's familiar cast of characters from such canonical graphic novels as Poochytown, but with a twist! Woodring has enlisted the mysterious Walter Foxglove, The Smartest Artist (TM), to undertake the huge task of restoring to these images the notes, comments, and coarse jokes that accompanied their creation.

The French cartooning master Tardi’s first solo graphic novel is a riotous action-adventure comedy. Paris, 1914. In one auspicious night, Lucien Brindavoine’s humdrum life is thrown into wild disarray. Out of the blue, a strange old man visits Brinvadoine’s flat and implores him to go to Istanbul to seek his destiny. No sooner are these fateful words spoken than a shot is fired through the window and the man is murdered by a mysterious assailant. Thus kicks off a madcap adventure wherein the mild-mannered dilettante Brindavoine races to the Middle East ― by boat, plane, and jeep ―with cutthroat assassins threatening him at every turn. After much ado, he encounters an iron city in the desert where an eccentric American billionaire will decide his fate. The first solo graphic novel by Tardi, Farewell, Brindavoine showcases the French cartooning master’s signature blend of dark humor, brutal violence, and beguiling mystery. For Tardi fans, an essential early work; for newcomers, a thrilling primer to the Tardi oeuvre.

A premium collection demonstrating the effectiveness of the comics medium for telling the most personal of stories—the autobiography. Showcasing some of the first published autobiographical stories from living-legend artists, mainstream greats, and young ''indie'' up-and-comers! Featuring stories by Will Eisner, William Stout, Gabriel Bá and Fábio Moon, Stan Sakai, Sergio Aragones, and many more of comics' top talent!

A beautiful graphic adaptation of George Orwell's timeless and timely allegorical novel. "All animals are equal, but some animals are more equal than others." In 1945, George Orwell, called "the conscience of his generation," created an enduring, devastating story of new tyranny replacing old, and power corrupting even the noblest of causes. Today it is all too clear that Orwell's masterpiece is still fiercely relevant wherever cults of personality thrive, truths are twisted by those in power, and freedom is under attack. Now, in this fully authorized edition, the artist Odyr translates the world and message of Animal Farm into a gorgeously imagined graphic novel. Old Major, Napoleon, Squealer, Snowball, Boxer, and all the animals of Animal Farm come to life in this newly envisaged classic. From his individual brushstrokes to the freedom of his page design, Odyr's adaptation seamlessly moves between satire and fable and will appeal to all ages, just as Orwell intended.

In 17th century Rome, where women are expected to be chaste and yet are viewed as prey by powerful men, the extraordinary painter Artemisia Gentileschi fends off constant sexual advances as she works to become one of the greatest painters of her generation. Frustrated by the hypocritical social mores of her day, Gentileschi releases her anguish through her paintings and, against all odds, becomes a groundbreaking artist. Meticulously rendered in ballpoint pen, this gripping graphic biography serves as an art history lesson and a coming-of-age story. Resonant in the #MeToo era, I Know What I Am highlights a fierce artist who stood up to a shameful social status quo.

The next volume in the striking collection in co-publication with the Louvre museum. An art assessor must evaluate the vast collections of the Louvre in an alternate Kafkaesque world where all is warehoused in an endless ever deepening succession of basement levels. Mathieu, an artist who marries Escher with Kafka, brings stinging irony to the pompousness of art history.

Dracula is one of the most well-known characters in the world. Now, read the story of the man who inspired the legend in this graphic novel available again for the first time in almost 30 years. A prince of Wallachia and son of Vlad Dracul (The Dragon), Vlad Dracul the Younger (Vlad Dracula) is taken hostage as a young man by Sultan Mehmed I to ensure his father's loyalty. When his father is killed at the hands of traitorous nobles in his own land, he assumes the crown and wages a cruel war to regain his lands and avenge his father. Throughout his life, he continued the fight to retain his kingdom, committing acts that would later lead to the formation of the famous character created by Bram Stoker. Originally published in the 1990s, it is now presented for the first time in black and white to showcase the beautiful art of Esteban Maroto.

"“[Adrian Tomine] has more ideas in twenty panels than novelists have in a lifetime.” —Zadie Smith After enjoying over six months on the New York Times Bestseller list and receiving a rave review from the same institution, Killing and Dying reaffirms acclaimed cartoonist Adrian Tomine's place not only as one of the most significant creators of contemporary comics, but as one of the great voices of modern American literature. Tomine's (Shortcomings, Scenes from an Impending Marriage) gift for capturing emotion and intellect resonates: the weight of love and its absence, the pride and disappointment of family, the anxiety and hopefulness of being alive in the twenty-first century. “Amber Sweet” shows the disastrous impact of mistaken identity in a hyper-connected world; “A Brief History of the Art Form Known as Hortisculpture” details the invention and destruction of a vital new art form; “Translated, from the Japanese,” is a lush, full-color display of storytelling through still images; the title story, ""Killing and Dying,"" centers on parenthood, mortality, and stand-up comedy. In six interconnected, darkly funny stories, Tomine forms a quietly moving portrait of contemporary life. Adrian Tomine is a master of the small gesture, equally deft at signaling emotion via a subtle change of expression or writ large across landscapes illustrated in full color. Killing and Dying is a fraught, realist masterpiece."

This double-feature collects two Gilbert Hernandez graphic novellas in one! In the Eisner Award-winning "Hypnotwist," a woman wanders through a series of increasingly surreal scenes, confronting motherhood, alcoholism, a sinister smiley face, and worse fates. Illustrated psychodrama as you like it! Meanwhile, in "Scarlet by Starlight": Imagine a B-movie cross between Star Trek and Heart of Darkness. When a primitive alien fauna becomes infatuated with its colonizer, a fragile ecosystem threatens to crumble under fear and violence.

Crash Site, the debut graphic novel from British cartoonist Nathan Cowdry, is the story of Rosie, a young drug trafficker who uses her lovelorn talking dog, Denton, to mule drugs across international lines. When Rosie and Denton’s return flight to England goes down and they find themselves stranded in the Amazon basin (with fifty grand worth of coke in Denton’s stomach), well, getting busted becomes the least of their concerns as they try to find their way out. Did we mention that Rosie is also wearing a pair of anthropomorphic underwear she calls Pants Dude, and that he may have other plans for her and Denton? Crash Site is a darkly funny, character-driven graphic novel that calls to mind the sense of humor of Simon Hanselmann, with a Tarantino-level appetite for gratuitous acts of sex and violence and use of flashbacks to allow the story to unfold. Cowdry’s confident storytelling skills, attractive artwork, and sense of comedic timing makes Crash Site a winning recipe for fans of adult humor.

I, Librarian The astonishing story of the incomparable Rex Libris, Head Librarian at Middleton Public Library, and his unending struggle against the forces of ignorance and darkness. With the aid of an ancient god who lives beneath the library branch, Rex travels to the farthest reaches of the galaxy in search of overdue books. He must confront incredible foes, such as powerful alien warlords who refuse to pay their late fees. Wearing his super thick bottle glasses, and armed with an arsenal of high technology weapons, he strikes fear into recalcitrant borrowers, and can take on virtually any foe from zombies to renegade literary characters.

Sharply observant, laugh-out-loud funny comics from The Believer cartoonist and New York Times illustrator My Dirty Dumb Eyes is the highly anticipated debut collection from award-winning cartoonist Lisa Hanawalt. In a few short years, Hanawalt has made a name for herself: her intricately detailed, absurdly funny comics have appeared in venues as wide and varied as The Hairpin, VanityFair.com, Lucky Peach, Saveur, The New York Times, and The Believer. My Dirty Dumb Eyes intermingles drawings, paintings, single-panel gag jokes, funny lists, and anthropomorphized animals, all in the service of satirical, startlingly observant commentary on pop culture, contemporary society, and human idiosyncrasies. Her wild sense of humor contrasts strikingly with the carefully rendered lines and flawless draftsmanship that are Hanawalt trademarks. Whether she's revealing the secret lives of celebrity chefs or explaining that what dogs really want is a tennis-ball bride, My Dirty Dumb Eyes will have readers rolling in the aisles, as Hanawalt's insights into human (and animal) behavior startle and delight time and again.

The filthy, funny early work from the Tuca & Bertie creator, and Bojack Horseman production designer Before the critically acclaimed animated shows, the bestselling graphic novel Coyote Doggirl, or the humor collections Hot Dog Taste Test and My Dirty Dumb Eyes, cartoonist Lisa Hanawalt was a comic-book-industry sensation with her Ignatz Award-winning minicomic series I Want You. Hanawalt’s outlandish humor and ingenious formalism are evident in the comics collected here. Her love of anthropomorphism and scatology are on full display, all lovingly and grotesquely drawn by Hanawalt in obsessive, unnerving detail. The stars here are She-Moose, who we join sex-toy shopping, and He-Horse, who we learn mid-flight suffers from ornithophobia. The true star of I Want You may just be Hanawalt’s hilarious command of the graphic listicle. “Top Causes of Freeway Accidents” is a prescient pre-BoJack display of Hanawalt’s love for all things equine. “Things We Are Sorry We Did Last Night” includes the murder of all Hanawalt's Google doppelgängers. Whether she’s discussing the daily commute or masturbation, she packs each comic in I Want You with punchy cultural observations and sharp-witted reflections on typically taboo subjects. A master humorist, Hanawalt strikes the perfect balance between drawing the gorgeous and the repugnant, the fantastical and the lifelike, the bizarre and the hilarious—creating a deeply human experience that everyone can relate to.

In Pictopia is the legendary comic created in 1986, written b y the era's most adventurous mainstream comics writer and drawn by a bevy of indie cartoonists — helmed by Don Simpson, with Mike Kazaleh, Pete Poplaski, and Eric Vincent. Presented here for the first time, scanned from the original line art and full-color painted boards, in an appropriately oversized format. Pictopia is the allegorical city inhabited by old, forgotten, but once famous and iconic comics characters, now considered pitiable has-beens by the popular new comics characters who are cheerfully and inevitably taking their places in the pop culture panteon of celebrity. It is both a paean to timeless, beloved comics characters and a scathing critique of the then-contemporary comics sub-culture.

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"Lisa Hanawalt's debut graphic novel, My Dirty Dumb Eyes, achieved instant and widespread acclaim: reviews in the New York Times and NPR, Best of Year nods from the Washington Post and USA Today, and praise from comedians like Patton Oswalt and Kristen Schaal. Her designs define the look of the wildly popular Netflix animated series Bojack Horseman. Her culinary-focused comics and illustrated essays in Lucky Peach magazine won her a James Beard Award. Now, Hot Dog Taste Test collects Hanawalt's devastatingly funny comics, gorgeous art, and screwball lists as she tucks into the pomposities of the foodie subculture. Hanawalt dismantles the notion of breakfast; says goodbye to New York through a street food smorgasbord; shadows chef Wylie Dufresne, samples all-you-can-eat buffets in Vegas; and crafts an eerie comic about being a horse lover yet an avid carnivore. Hot Dog Taste Test explodes with color, hilarity, charm, and, occasionally, reproductive organs. Lush full-spread paintings of birds getting their silly feet all over a kitchen, a fully imagined hot dog show (think Best in Show but with hot dogs), and a holiday feast gone awry are the creamy icing on this imaginative rainbow-colored cake. But Hanawalt's wit and heart extend far beyond gags--her insightful musings on popular culture, relationships, and the animal in all of us are as keen and funny as her watercolors are exquisite."