Ash Parsons was raised to believe she’s special. As someone with a quirk of genetics that lets her teleport things, she’s the golden goose of her family—the foundation of a struggling criminal outfit. Ash is able to pop out whole fleets of cars and entire bank vaults. But while she can teleport valuables and her accomplices, she can’t teleport herself — making every job a trust fall with her family there to catch her and escort her to safety. It’s a perfect setup but as things begin to change and the Parsons move up in the world, Ash will find herself pushing back against her golden cage, with deadly results.

In these moody 1990s tales from BATMAN #515-525, 527-532 and 535-536, Batman emerges from the shadows to face foes including Killer Croc, The Scarecrow, Mr. Freeze, Two-Face and more. Plus, don't miss guest-appearances by Nightwing, Robin, Deadman and Swamp Thing.

An oversized one-shot featuring short stories starring the Batman family from new and up-and-coming talent.

It is a stand alone Graphic Novel and is the only book in its volume.

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Ever since Great Grandfather Isom killed a man over some sheep, a black cloud has hung over the Rath family. Now, over a century later, Ira Rath, the coldest hitman ever to walk on Alabama soil, has taken a job that will decide the fate of his cursed family once and for all. Writer Jason Aaron (Southern Bastards, Scalped) and artist Ron Garney (Weapon X, Thor: God of Thunder) team up once again, to bring you the story of a Southern family, whose only heirloom is violence.

Second chances are something that are rarely given to humans, even more rarely when Death is the entity giving it to them. Yet, on an ordinary rainy day Death gives Eric Block, a desperate father who has buried his daughter Aurora just few days before, a unique opportunity: seven days of immortality in which to avenge her. The catch? When the seven days are over, he must join his daughter in the afterlife. Now the father shall unleash the wrath upon those responsible in the time he has left.

Richard "Junk" Junkin has always lived on the wrong side of trouble. A former pro football star whose career was cut short by injury (and a nasty gambling problem), Junk now spends his time dreaming of what might have been, selling cars in Jersey and lusting after the boss's unbelievably spoiled, unbelievably sexy and unbelievably rich daughter, Victoria. So when the boss asks him to be Victoria's personal bodyguard while she tears up the New York City club scene, Junk leaps at the chance. But before long, he's finds that Victoria wants a lapdog and not a chaperone, someone who's going to do all of her dirty work—all of it—someone who wants to get filthy rich… From Brian Azzarello, the multiple Eisner Award-winning writer of Vertigo's long-running crime series 100 BULLETS and the smash-hit graphic novel, JOKER, and artist Victor Santos, the creator/writer/artist of the hit French series Young Ronin.

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In turbulent times, when cops are often portrayed as the enemy of the people, Detective Chip Christopher maneuvers the blurred blue line between racism and due diligence in order to do his job. And right now it's his job to investigate Turn, a young black man with a sketchy past -- who was previously exonerated of a similar murder.

Stories in this volume include "The Martian Monster," in which a 9-year-old boy befriends a Martian in the woods and asks him to kill his stepmother ― but the "Martian" convinces him that it’s really his father who he should target. There’s sharp social commentary in "…And Then There Were Two!" (highly intelligent robots unveil a plan for world peace, but political opportunists launch an anti-robot campaign to discredit them) and "Prediction of Disaster!" (an astronomer concludes that our sun is about to go nova and tries to warn the world).

EC horror comics are famous for their gleefully ghoulish stories and their outrageous twist endings — served up with a sly wink to the reader and a generous dose of dreadful puns. No artist captured that mood better and made his readers shudder more than “Ghastly” Graham Ingels. Ingels set the standard for fiendishly delightful depictions of dripping slime, dismembered limbs, and shambling corpses. This volume features Ingels’s earliest EC crime and horror work, from the pages of such titles as Tales From the Crypt, Haunt of Fear, Crime SuspenStories, and War Against Crime. Highlights in this volume include Ingels’s very first EC story, two Ingels adaptations of stories by Edgar Allan Poe (including a clever twist on “The Cask of Amontillado” that you won’t see coming), and EC’s first adaptation of a Ray Bradbury story. As with every book in the Fantagraphics EC line, Doctor Of Horror And Other Stories superbly showcases these classic comic book masterpieces and enhances the reader’s experience with commentary and historical and biographical detail from EC experts.

Wolvv tells the story of Wolvv Chason, a software engineer suffering from an anxiety disorder. When his family is abducted and detained as a means of pressure against him, he decides to build a combat suit into which he implements a unique AR software developed by him. Wolvv has to face the kidnappers - "The Outfit" - a mafia organization whose members are in many ways inspired by Al Capone. However, their leader has personal reasons for the kidnapping and therefore tries to stop Wolvv by any means.

When Richard sees a man run through his yard, he follows him out of concern. This deep in the woods, he must be lost... must be in trouble. Bust soon it's Richard in peril, as this stranger drags him into a deep, twisted web of conspiracy going back hundreds of years.

EC artist Johnny Craig's graphic style is eerily crisp and contemporary. This collection of 25 Craig favorites includes such shockers as “Horror House!,” “Werewolf Concerto,” “Terror on the Moors,” and the title story, “Voodoo Vengeance” ― along with seven Craig crime classics, including Craig’s own personal favorite, “The Sewer!”

Even sixty years after their original release, in a post-Saw-and-Hostel era of explicit horror, EC Comics superstar Graham "Ghastly" Ingels's grisly pages retain the power to shock. His loving depictions of the endless corruption of flesh and nature made him the go-to guy for stories involving swamps, maniacs, and dismemberment - and all three combined to best effect in one of the standouts of this collection of his stories: "Horror We? How's Bayou?" - considered the single most spectacularly drawn of all of EC's horror stories, with a climax that would give body-horror king David Cronenberg nightmares.

Collects Crime Does Not Pay. Although the cover of the first volume claims to collect issues 1-4, there are no such issues so presumably it is collecting #22-25 and labeling them as #1-4 to avoid confusion from people who want to pick up the first issues of the series.

2049, high-Earth orbit. Will McGillis is in deep s***. Betrayed by the mercenary crew of his orbital clean-up vessel, the AMALA, and blown out into space with nothing but a space suit and his wits, McGillis must perform the impossible if he’s ever to see his family again…

There's nothing like chillin' with your closest buds on a weekend fishing trip, especially when you're about to launch the biggest criminal deal of your careers. Out here on the high seas, life is sweet. That is, until your engine explodes. And your boat sinks. And there's no food or water. And the puking starts. And the backstabbing begins. And the only life preserver is in the hands of a man who wears a black shirt with a skull on it!

The first volume in a complete series reprinting Will Eisner's classic crimefighter The Spirit in chronological order from June 2nd to December 29, 1940. Includes "The Origin of The Spirit," "Orang, The Ape Man," "The Kiss of Death," "The Prom," the first Christmas Spirit story and 26 others in full color. Also features a preface by Eisner on how The Spirit came to be, a foreword by Alan Moore (WATCHMEN, AMERICA'S BEST COMICS) and an introduction by comics historian R.C. Harvey.