Marvel Comics once again salutes the real heroes -- the men and women of the US Military -- with this special comic book! The Hulk is leaving a trail of destruction across the American Southwest, and it will take the combined might of Marvel's super heroes and the United States Military to end the green goliath's rampage!

The True story of Brian Michael Bendis trying to make a movie in Hollywood.

Who knows what fantastic fish might swim in McElligot's Pool!In this colorful picture book, a boy named Marco goes fishing in a small pond called McElligot's Pool. As he sits waiting for a bite, a farmer calls him a fool and says "You'll never catch fish in McElligot's Pool!" Marco, however, refuses to be discouraged and spends the rest of the story describing all the fish that could be coming to McElligot's Pool from the ocean. The story ends with Marco still fishing and the farmer scratching his beard and looking confused. The use of color and illustrations blur the line between fantasy and reality during Marco's story, creating one of the most interesting aspects of the book. The text is made up of catchy rhymes and intriguing fish descriptions. The pictures complement the text and make the fish descriptions seem real. Interestingly, Seuss illustrates every other page in black and white. At the beginning of the story when Marco sits by the pond, the black and white emphasizes the concrete reality of the Marco talking to the farmer. After page one, every other page is in color. The color magnifies Marco's fantasy about all of the fish, making them seem beautiful and real. At the same time, the black and white pages make Marco's fish descriptions seem realistic. Seuss's use of the black-and-white pictures during Marco's whimsical descriptions in the text could be his way of toning down the fantasy and bringing it into the context of every day life. The use of color to blend reality and fantasy also emphasizes optimism in the story. The farmer was probably right in telling Marco that he will "never catch fish in McElligot's Pool." With the clever use of color and illustrations, however, Dr. Seuss undermines the fisherman's certainty and makesMarco's claim that there might be fish in McElligot's Pool believable. McElligot's Pool sends the message that life is not always as it seems, that it is not as simple as b.

On 5th November 1980 Marvel UK launched two "themed" weekly titles - Valour, whose strips all had a fantasy twist to them, and the science fiction-oriented Future Tense. The first issue used a suitably space-suited Nick Fury, though the Agent of SHIELD's tales were not being reprinted inside. Instead, the initial line-up was Micronauts, Paladin (from Marvel Premiere #43), Seeker 3000 (from Marvel Premiere #41) andWarlock (from Marvel Premiere #1); Micronauts would be a mainstay for Future Tense through to the final issue, but all the others would eventually be replaced by other strips. Star-Lord (from Marvel Spotlight #6) joined in #4 for a short run, while Marvel's Star Trek, beginning with the adaptation of the Motion Picture, replaced Seeker 3000 as of #6, to become the second strip destined to continue to the end of Future Tense. With #13 Future Tense absorbed failing sister title Forces in Combat, adding the latter's title to its byline for a single issue and taking up FiC's only SF strip, Rom, into its own line-up. The line-up remained stable for the next few issues, but with #20 Future Tense consumed another failing title, its "twin", Valour, whose two surviving strips, Weirdworld (a.k.a. Warriors of the Shadow Realm, initially from Marvel Comics Super Special#11) and Conan (from Conan the Barbarian) displaced Warlock. The revised line-up for Future Tense and Valour, a title it would retain through to #35, again stabilised for a time, with the only change being when Weirdworld ended (when the US strips ran out) and was replaced by Captain Marvel (from Marvel Spotlight#1) as of #28. Conan ended in #34, and with #36 Future Tense reinvented itself as a monthly title. Rom's final appearance was in #38, and in January 1982 Future Tense ended with its 41st issue.

Mountebank is like nothing you've ever seen before: a systematized sketchbook that tracks the inner workings of an obsessive brain and a book that could only be described as "psychedoolic." Both meditative and hypnotic, D.W. invites you to get lost alongside anthropomorphic creatures crawling through grid paper labyrinths and in his own brand of whirling dervish mark-making.